Venetian of origin , known as Giambellino, his painting remains a deep sign in Renaissance. 

Giovanni Bellini is birth of year 1433  to Venice , the father is an artist that had a decisive  role  into his art. 

His brush bring seventieth years of work to maxim levels, reelevating the expressions more diverse of byzantine traditions, but respecting the Padova’s models. 

He conserves the Venice traditions , not betrayal ; she is valorized to Andrea Mantegna , Piero della Francesca, Antonello da Messina and Albrecht Dürer and end the tonalism  by Giorgione. 

The study :

The first master is his father , the artist known in Venice and afterward passed to Vivarini.

The influence into his art :

It can looking the byzantine influence presents to Venice , the model physic painting of the divinity and that flaming. 

An another is that of Toscana school with Donatello presents to Padova. 

He studies the influences by his father in –low Andrea Mantegna in difficile forms , the rough painting when it’s become sweetly progressive and the compositions of elements. 

What is represented the work , the style ?

He start with a series by Madonne col Bambino( Saint Marry with child) characterizing the figure as principal theme in all carrier. 

” Madonna Greco, Pietà, Cristo morto sorretto da due angeli , they bring an inspiration of byzantine models , the composition models  retakes those of byzantine painting and cretesi establishing  a  rapport  with the spectator. 

Crocifissione, Trasfigurazione, Preghiera nell’ orto, Quadro grandi trittici: San Lorenzo, San Sebastiano, della Madonna, della Natività,  Il politiconi San Vincenzo Ferrer, Pala di Pesaro, Piero della Francesca, Pala di San Giobbe, Trittico dei Frari per basilica di Santa Maria Gloriosa dei Fraria Venezia, dipinto di San Marco, esperimenti di pittura tonale in Madonna col Bambino tra le sante Caterina e Maria Maddalena, Ritratto de Jörg Fugger, Ritratto di giovane in rosso,  Ritratto di condottiero, Allegoria sacra, Quadro allegorie dove sono presente le figure simboliche, Ritratto del doge Leonardo Loredan, Battessimo di Cristo, il San Girolamo leggente nel deserto, Madonna del Prato, dove cerca tali sentimenti e un’ analoga profondità,, Madonna col Bambino benedicente, Madonna col Bambino espose alla Galleria Borghese di Roma, Pala di San Zaccaria, Giovane donna nuda alla specchio, il Bacco fanciullo, il Festino degli dei, l’ Ebrezza di Noè…

The last oeuvre painted is “ Ritratto di fra Teodoro da Urbino”, an austerity intensity.

His deaths comes to Venice of 26 November 1516.

What we can looking the painting by Bellini?

With the analytic attention to detail. 

The  profound link between the mother and the son in rapport of profound pathos. 

The expression is crudely , the bony anatomy and the dry lines and rocky represented of byzantine painting.

The style takes a mature formation as:

The color gives with the major sweetly and naturalism , alternating allover the red and white tons. 

He uses the  straight light of down for something details. 

The monumental figure is warmly human, recognizing at  dough riche aromatic.

There are presents the experiments of tonal painting ( the light fall of near part advancing slighting on the cloths , the part embodied of saints on a silent atmosphere  and absorbed , a background dark innovative. 

The painting are transferred of light and the air. 

The artistic evolution , the light is softens , the form warms the atmosphere , generating a new harmony made od wide plans , again chromatic and contemplatives tons. 

The traditionalism is presents or is exuberant for him?

Bellini is renewed continue without  contradict the link with the owner tradition, remaining a point of power. 

He make an assembly of  metaphysic plastic  with the human realism , with the chromatic profundity typic by Venetians. 

He studies the tonalism , conserves the Nordic taste and deep drapery.

Bellini to leave compressed of Venice in art , in his moral stature in general.

He remains noble in art , noble in comportment , gestures , brink a balance extreme , a harmony extreme until his art , an art human completely. 

He is conservator as the shadow by Leonardo da Vinci presents into his oeuvres , renewal as Raffaello in style , imagines and compositions. 

The Madonna is presents having a link profound of love , the rapport between the mother and the son there are themes that follow in his carrier. 

He bring a respect for the art, contemplative in his painting , melancholic in same times, austere in portraits.

His art is in Padova’s territory , with the big origins in Venice , something time sober as Nordics , trying the renaissance  sweetly Italian in painting.

A painter when is leaved to breathing in byzantine art , under the sign by Madonna , a look into silently atmosphere, a dark when leave the liberty at tons of colors. 

In all he remains faithful to Venetian culture, the art is without limit in time.