*To search the groups of press, associations, sponsor for the News-art-culture.com.* How we know him? The artist from epochal elegance, raffinate in tastes, the paintre than love the aristocracy and the bourgeoisie? Paolo Caliari know as Veronese is birth to Verona in 1528, he is been a big Italian paintre. The son of Gabriele mason , receive the artistic formation to Verona and the first influences in painting starting to Teviggio after he goes to Mantova at the court of Gonzaga. Afterward he moves to Venice where he becomes know as Veronese. It-s a paintre than love the mannerists innovations! In painting maintain an artistic identity ” high”, the drawing have a central value , the treatment of color is divers from tradition autochthon. He studies the painting to Antonio Badile-atelier, has a rapport professional with architect and his mentor Michele Sanmicheli from which he comes looking with great interesting for the artistic innovation. After Argan , Veronese comes presented as” the interpret from intellectual opening and of the civil way by life that make from Venetian society in a time of the moralistic conformism and the neo feudal involution at society more free and culturally advances. The style, the color and the art by Veronese? The color is vivacity with backgrounds definite, diversity from tonal painting. The painting is luxurious, worldly , the taste is decorative with the lights effects. He practice the individual portrait with the refinement, the format is to entire figure, an aspect uncommon from Venetian painting. He makes the portraits of bourgeois , aristocrats again for the own economic state. He loves the lux, the refinement of cloths by prefigurated personages , appreciates the elegance from Venetian fashion by this epoch. The own elegance is again the cultural researches of his tastes. He maintains a rapport of real space with that illusory.
The works ?
The cry on Crist-dead, The mystic wedding by Sainte Catherine, The temptations by Saint Antonio , Sacred Family and the saints, the decorations of new halls from Ducal Palais , Giove that drives out the Vices, The repudiation of Vasti, Ester crowned of Assuero, The triumph of Mardocheo, the decorations to Villa Barbaro to Maser, The lunch to Levi’s house , all are the inventions more big dedicated to evangelic banquets of great format, the evangelic episodes , sumptuous scenes and architectural inspire from Andrea Palladio-s architecture, the party of the Venetian aristocracy of time. The last lunch , The wedding by Cana, Inquisition , The lunch in house of Simone,, The triumph of Venice, The portrait of Venetian noble woman, Portrait of Daniele Barbaro III, Saint Nicolo from Lattuga, The coronation from Virgin, Crucifixion, The temptations of Saint Antonio. In last years he search the style, the sacred themes stimulating the meditations, the drawing is make more defined, alternating the chromatics contrasts. The lasts paintings are of dark frequent atmosphere and the nocturne scenes where are prefigurated the religious themes. The last painting is ” The conversion by Saint Pantaleone”. He die to Venice in 19 April 1588, comes buried to church by Saint Sebastian to Venice leaving more artistic works .
The critics ?
There are either on dating of something works and on autography of others paintings . His collaborations following the activity from atelier again after death , imitating the style assimilated after years of works in common. Veronese leaves the elegance , refinement of taste, the cloths of lux, pomp , worldly of Venetian epoch. He loves the wealth ,he aristocratic world, bourgeois , confronted the real with the illusory time , remains under the religious faith. The mythology , the fantasy leaving free the painting to mannerist innovations. The decorations ,, the evangelic scenes where is dominated the pomp, the sumptuousness and the architecture characterize his painting. The painting is with the vivacity colors , unconformity, without to be present the Venetian traditionalism. The elegant , refined he passed to opera at another ,defining the traditionalism. In his name remains the color , the intensity and the love for the art.

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